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Buried not dead : essays

Novelist Fiona McGregor's new book, Buried Not Dead, is a collection of essays on art, literature and performance, sexuality, activism and the life of the city. It features performance artists, writers, dancers, tattooists and DJs, some of them famous, like Marina Abramovic and Mike Parr, while others, like Latai Taumoepeau, Lanny K and Kathleen Mary Fallon, are important figures but less well known. In her portraits of these performers and artists and the scenes they inhabit, McGregor creates an intimate and expansive archive of a kind rarely recorded in our histories. Fiona McGregor has a deep and enduring involvement in the worlds she represents. She came of age as an artist during an outpouring of performative queer creativity, in a community that celebrated subversion, dissent and uninhibited partygoing, and in her writing she observes the shift from that moment to new forms of cultural repression. McGregor is a participant in her essays as well as a witness -- she sees through an artist's eyes and records what she perceives with a novelist's insight. In excavating the lives of others, she reveals her own, and shows the possibilities that exist beneath the surface of our culture.

Item Information
Barcode Shelf Location Collection Volume Ref. Branch Status Due Date Res.
32320004850172 A824.3 MCG
Adult Non Fiction   Maitland library . . Available .  
. Catalogue Record 531673 ItemInfo Beginning of record . Catalogue Record 531673 ItemInfo Top of page .
Catalogue Information
Field name Details
ISBN 9781925818604 (pbk.)
Classification Number A824.3 MCG
Author McGregor, Fiona, 1965-
Title Buried not dead : essays [BK]
Note Published from the Writing and Society Research Centre at Western Sydney University.
Novelist Fiona McGregor's new book, Buried Not Dead, is a collection of essays on art, literature and performance, sexuality, activism and the life of the city. It features performance artists, writers, dancers, tattooists and DJs, some of them famous, like Marina Abramovic and Mike Parr, while others, like Latai Taumoepeau, Lanny K and Kathleen Mary Fallon, are important figures but less well known. In her portraits of these performers and artists and the scenes they inhabit, McGregor creates an intimate and expansive archive of a kind rarely recorded in our histories. Fiona McGregor has a deep and enduring involvement in the worlds she represents. She came of age as an artist during an outpouring of performative queer creativity, in a community that celebrated subversion, dissent and uninhibited partygoing, and in her writing she observes the shift from that moment to new forms of cultural repression. McGregor is a participant in her essays as well as a witness -- she sees through an artist's eyes and records what she perceives with a novelist's insight. In excavating the lives of others, she reveals her own, and shows the possibilities that exist beneath the surface of our culture.
Subject Australian essays -- 21st century
Essays
Catalogue Information 531673 Beginning of record . Catalogue Information 531673 Top of page .
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